- December 1 and 3 at 8pm in the magnificent Cathedral of the Madeleine. Admission is free, but limited to those over 6 years of age.
- December 17 at 7pm in the LDS Chapel at 8350 South Jackson Street, Midvale. Admission is free and open to those of all ages.
In the middle of the month, the Choir has the exciting opportunity to be guests of the Salt Lake Choral Artists at their Christmas Concerts.
- December 15 & 16, 7:30 P.M. at St. Ambrose Church (1875 South 2300 East, SLC). This concert is ticketed. Please click here to purchase tickets.
The Salt Lake Children’s Choir is delighted to welcome the outstanding Pacific Boychoir to Salt Lake City and will be participating with them in a special concert Thursday, June 25, 2015 at the beautiful St. Amborse Church (2315 Redondo Ave.) This concert is being presented at no charge and will begin at 7:30 PM. The program will offer a wide variety of music–ranging from Bach, to Gershwin, to John Denver. Said the LA Times–
“Pacific Boychoir’s musical sophistication and quality of sound were astonishing.”
Further information about this fine choir and its tour repertoire can be found at www.pacificboychoir.org
As our concert approaches this weekend, we wanted to share some program notes on some of the pieces to be performed written by our artistic director, and founder, of the choir – Ralph B. Woodward. The concerts will truly be a journey across the history of music in both time and geography. We hope that you enjoy learning more about the music, its place in the world and the relationship our choir has with some of these pieces. Of course, no reading takes the place of hearing the real thing! Please join us on May 2 & 3. (Additional concert details available in the previous post – Tickets available from our website or at the door).
Hodie Apparuit: This is a short motet by the great Franco-Flemish master Orlando di Lasso and is a prime example of 16th Century polyphony. Its wonderful interweaving of parts makes it an extremely gratifying work to sing and to hear (the kids love it).
Bonne Nuit: One of the great joys of working with these young people is to see what they can do with the Art Song. We sing many of this genre–usually those by German masters. However, in the beginning years of our choir, the very early ’80’s, one member’s mother (who also belonged to our first choir board) loaned me a book of songs which happened to contain the charming “Bonne Nuit by the French composer, Jules Massenet (probably best known to most for his violin solo, “Meditation”–from the opera, Thais). I then made an adaptation for the choir and we have done it periodically over the years. I had never heard this charming song before, and I have never heard it since — other than being sung by our choir.
Techot Volga ( by M. Fradkin): This is a much loved by older Russians, and was first sung by our choir in 1987. It speaks of the permanence of the ever-flowing Volga and the stages and changes in our lives. It is wistful, expressive and very beautiful. .
Caliche (by R. Alarcon): This popular Chilean song, in the “cueca” dance rhythm, is a real favorite. It refers, in endearing terms, to dark-complected “Caliche, ” which I originally thought meant a pretty girl. In fact, this is a symbolic reference to a black ore that is mined in Northern Chile and which sustains many miners of that area and their families.
Turn Ye to Me: from Scotland, is a bitter-sweet song of parting of someone who is leaving a loved one to go to sea.
Follow Me Down to Carlow: a rousing Irish dance tune, is one of the Choir’s all-time favorites.
Makedonska Devoice: from the Republic of Macedonia (formerly part of Yugoslavia and not to be confused with Greek Macedonia) was introduced to me by a friend from Bosnia. It is very tuneful, rhythmic (in 7/8) and very popular all over the Balkans.
Vienna, City of My Dreams: This captivating waltz by Rudolf Sieczynski is much loved the world over (and especially by German-speaking people). It is full of irresistible Viennese charm and one of our favorites,
Kaya Kaymanta Ripusaj: An Andean song of farewell from Bolivia in the ‘quechua’ language (language of the Incas)–with a couple of Spanish words. The melody and complimentary harmonies (which we have added) have a unique, mystical quality.
Palomita del arrozal: This song is also from Bolivia, but from the Santa Cruz region–which is lower and more tropical. It’s lyrics are mostly Spanish–but also include words of the native Guarani people of that area.
Kapusi Kali Kongo: is a novelty song from Zambia with fascinating poly-rhythmic percussion.
On the Sunny Side of the Street by Jimmy McHugh: This popular American standard will be a lively, refreshing return to our own shores. The perrformance will be complete with skat singing by the choir and the artistry of jazz pianist extraordinaire, Steve Keen.
From Vienna — to the Andes — to “The Sunny Side of the Street”, a concert by the award winning Salt Lake Children’s Choir, will be presented Friday and Saturday, May 2 and 3, at 7:30 PM in Salt Lake City’s beautiful St. Ambrose Church (1975 South 2300 East). Spanning four centuries and four continents, the program will include musical treasures, both familiar and little known, from the British Isles, Eastern and Western Europe, Africa, South America and the USA — including the much-loved “On Wings of Song” and “Vienna, My City of Dreams” — as well as the lively “Follow Me Down to Carlow” from Ireland and the wistful Bolivian “Kaya Kaymanta Ripusaj”–sung in native Quechua, the language of the Incas. Jazz pianist extraordinaire Steve Keen will join the choir on Woodward’s rhythmic “Canto” and the American favorite, “On the Sunny Side of the Street. The evening will conclude with the choir’s own “Evening Prayer” and. “A Day in Spring.”
All seats are $9:00 ($6.00 students) and tickets are available at Day Murray Music or at the door. Online tickets can be purchased here and will be held at will call on the nights of the concerts. Admission is open to those ages 6 and older.
Please note: The choir is now scheduling auditions for new members, and there will be a sign-up sheet for an audition time at the concert for those who attend.