Did you miss the SLCC official auditions? There is still time to sing with us! Auditions can still be scheduled during any weekend in August. Call 801-537-1412 to schedule your audition time.
Happy New Year from the Salt Lake Children’s Choir!
UPDATE: Due to demand, we will continue scheduling auditions for Saturday, January 13, at Day Murray Music. Appointments for other times and locations can also be made by calling 801-537-1412, to reach our director, Ralph Woodward. Please call right away so we can be sure to accommodate you!
If you’ve ever thought of having your child audition for our choir, right now is the perfect time! The choir will be returning from Christmas break and beginning to learn their spring repertoire next week. We will be having an audition day this Saturday, January 6, at Day Murray Music. For details, click here. However, if this day is inconvenient, please call anyway and schedule a time that works in your schedule. We look forward to meeting you!
The choir’s 2017 spring concerts will be May 12 and 13 at 7:30 PM in Salt Lake City’s beautiful First Presbyterian Church (South Temple and ‘C’ Street). The program will feature some of the world’s greatest classical songs–including the transcendent “God Is My Shepherd ” and “Nacht und Träume” by Franz Schubert, Sergei Rachmaninoff’s dramatic “Spring Waters,” and the evocative “Ku-loc” (Cow-keeper call) by Norwegian master, Edvard Grieg. The choir will also conduct its traditional survey of outstanding world music with visits to Scotland, Ireland, France, Slovakia, Norway, Japan, Mexico, and Brazil–including a revival of the choir’s own exciting setting of the Irish reel, “Follow Me Down to Carlow” and Stephen Hatfield’s international hit arrangement of the Mexican huapango, “Las Amariillas.” Returning to American shores, the choir will sing “I Left My Heart in San Francisco” and will conclude the concert with its own calypso number, “Down by the Seashore,” followed by “Little Lamb” and “A Day in Spring.”–both by the director.
General Admission: $10.00 ($6.00 students) and admission limited to those age 6 and older. Tickets at Day Murray Music or at the door. Additional information at 801-537-1412
With our major Spring performances coming up at the end of the week, we are pleased to share with you some program notes written by the choir’s founder and director, Ralph B. Woodward. Hopefully this will give you additional insight and appreciation for the pieces you will hear the choir perform. We will have notes on additional program pieces throughout the week.
“Now Is the Month of Maying” (Thomas Morley)
The 16th Century (the time of Shakespeare) was the golden age of the English Madrigal (secular polyphonic song), and “Now Is the Month of Maying” is among the most famous. I was contacted not long ago by an English choir director, who had seen us perform it on YouTube asking about the arrangement we use (which happens to be by Jerry Wesley Harris). So, if she, being from England likes it, I guess we’re on solid footing. The kids really enjoy singing it.
“Song of the Skylark” (Johannes Brahms)
One of the great genres of vocal music is the German Art Song, and I have surveyed virtually all the songs of Schubert, Brahms, Schumann and Mendelssohn in search of material suitable for our choir. Some which we sing were already familiar to me, but some were not, and may not be to our audiences. One of these, “Song of the Skylark,” (Lerchengesang), is particularly beautiful in its wistfulness. The 3 against 4 beat rhythm (choir vs. piano) ads to the song’s poignancy.
Impromptu #2 in E-flat Opus 90 (Franz Schubert)
We are proud to feature brilliant young pianist and choir member, Caleb Spjute performing this extremely virtuosic work. You may want his autograph after you hear him play (others have).
“Blagoslavi dushe moya Ghospoda” (Pavel Chesnokov)
This work (translation: Bless the Lord, my soul), with its rich harmonies and extreme dynamic changes is a fine example of late 19th and early 20th Century Russian liturgical music.
“How Excellent Thy Name” (Howard Hanson)
I first heard this piece sung by a college choir and have liked it ever since. It’s composer, Howard Hanson was the first director of the Eastman School of Music (where he remained for 40 years) and was one of the pre-eminent American composers of the 20th Century. The work, whose text is taken from the Psalms, is very evocative and beautiful and I appreciate the remarkable insight our singers bring to it.
As the springtime blooms around us, join the Salt Lake Children’s Choir and director, Ralph B. Woodward, for a beautiful evening of songs from around the world at First Presbyterian Church (South Temple and C Street) on May 13th or 14th, Friday/Saturday at 7:30 P.M.
The program will include art songs of Mendelssohn, Brahms and Franz Schubert–followed by a Schubert Intermezzo for piano performed by brilliant young pianist and choir member, Caleb Spjute. Also heard will be Zoltan Koday’s fiery setting of the Hungarian “Dancing Song,” and the choir’s a cappella arrangements of the rhythmic “Olha a Rosa Amarela” from Brazil, the Mexican favorite, “Cielito Lindo,” and “El Condor Pasa” from Peru. Of special interest will be the rich sonority of “Zadrimali Volne” and “Blagoslvi dushe moya Ghospoda” by Russian masters, Cesar Cui and Pavel Chesnokov, and the evocative and powerful “How Excellent Thy Name” 20th Century American composition and music education icon, Howard Hanson.
The concert will conclude with the sentimental favorite, “Springtime in the Rockies,’ followed by the choir’s entertaining “Calypso Loco,”(in seven parts) and its traditional “A Day in Spring.” Tickets available at Day Murray Music, from choir members and at the door. All seats are $10 ($6 students) and admission is open to all over age 6. For further information, check our Facebook page or call 801-537-1412
The Salt Lake Children’s Choir is delighted to welcome the outstanding Pacific Boychoir to Salt Lake City and will be participating with them in a special concert Thursday, June 25, 2015 at the beautiful St. Amborse Church (2315 Redondo Ave.) This concert is being presented at no charge and will begin at 7:30 PM. The program will offer a wide variety of music–ranging from Bach, to Gershwin, to John Denver. Said the LA Times–
“Pacific Boychoir’s musical sophistication and quality of sound were astonishing.”
Further information about this fine choir and its tour repertoire can be found at www.pacificboychoir.org
To help you get in the mood for our concerts tomorrow and Saturday (May 1 & 2, 2015, 7:30 p.m. ), here is a clip of the Choir performing Ralph B. Woodward’s setting of Laudate Dominum two years ago in the same venue – the lovely First Presbyterian Church on South Temple in Salt Lake City. This year you can hear Mozart’s setting of Laudate Dominum as well as many other immortal musical treasures. For additional information about what’s on the program and ticket information please see this post. The Choir looks forward to singing for you!
As our concert approaches this weekend, we wanted to share some program notes on some of the pieces to be performed written by our artistic director, and founder, of the choir – Ralph B. Woodward. The concerts will truly be a journey across the history of music in both time and geography. We hope that you enjoy learning more about the music, its place in the world and the relationship our choir has with some of these pieces. Of course, no reading takes the place of hearing the real thing! Please join us on May 2 & 3. (Additional concert details available in the previous post – Tickets available from our website or at the door).
Hodie Apparuit: This is a short motet by the great Franco-Flemish master Orlando di Lasso and is a prime example of 16th Century polyphony. Its wonderful interweaving of parts makes it an extremely gratifying work to sing and to hear (the kids love it).
Bonne Nuit: One of the great joys of working with these young people is to see what they can do with the Art Song. We sing many of this genre–usually those by German masters. However, in the beginning years of our choir, the very early ’80’s, one member’s mother (who also belonged to our first choir board) loaned me a book of songs which happened to contain the charming “Bonne Nuit by the French composer, Jules Massenet (probably best known to most for his violin solo, “Meditation”–from the opera, Thais). I then made an adaptation for the choir and we have done it periodically over the years. I had never heard this charming song before, and I have never heard it since — other than being sung by our choir.
Techot Volga ( by M. Fradkin): This is a much loved by older Russians, and was first sung by our choir in 1987. It speaks of the permanence of the ever-flowing Volga and the stages and changes in our lives. It is wistful, expressive and very beautiful. .
Caliche (by R. Alarcon): This popular Chilean song, in the “cueca” dance rhythm, is a real favorite. It refers, in endearing terms, to dark-complected “Caliche, ” which I originally thought meant a pretty girl. In fact, this is a symbolic reference to a black ore that is mined in Northern Chile and which sustains many miners of that area and their families.
Turn Ye to Me: from Scotland, is a bitter-sweet song of parting of someone who is leaving a loved one to go to sea.
Follow Me Down to Carlow: a rousing Irish dance tune, is one of the Choir’s all-time favorites.
Makedonska Devoice: from the Republic of Macedonia (formerly part of Yugoslavia and not to be confused with Greek Macedonia) was introduced to me by a friend from Bosnia. It is very tuneful, rhythmic (in 7/8) and very popular all over the Balkans.
Vienna, City of My Dreams: This captivating waltz by Rudolf Sieczynski is much loved the world over (and especially by German-speaking people). It is full of irresistible Viennese charm and one of our favorites,
Kaya Kaymanta Ripusaj: An Andean song of farewell from Bolivia in the ‘quechua’ language (language of the Incas)–with a couple of Spanish words. The melody and complimentary harmonies (which we have added) have a unique, mystical quality.
Palomita del arrozal: This song is also from Bolivia, but from the Santa Cruz region–which is lower and more tropical. It’s lyrics are mostly Spanish–but also include words of the native Guarani people of that area.
Kapusi Kali Kongo: is a novelty song from Zambia with fascinating poly-rhythmic percussion.
On the Sunny Side of the Street by Jimmy McHugh: This popular American standard will be a lively, refreshing return to our own shores. The perrformance will be complete with skat singing by the choir and the artistry of jazz pianist extraordinaire, Steve Keen.