Tag Archives: Spring Concert

Program Notes – Spring 2016, part 1

With our major Spring performances coming up at the end of the week, we are pleased to share with you some program notes written by the choir’s founder and director, Ralph B. Woodward.  Hopefully this will give you additional insight and appreciation for the pieces you will hear the choir perform.  We will have notes on additional program pieces throughout the week.

Now Is the Month of Maying” (Thomas Morley)

The 16th Century (the time of Shakespeare) was the golden age of the English Madrigal (secular polyphonic song), and “Now Is the Month of Maying” is among the most famous.  I was contacted not long ago by an English choir director, who had seen us perform it on YouTube asking about the arrangement we use (which happens to be by Jerry Wesley Harris).  So, if she, being from England likes it, I guess we’re on solid footing.  The kids really enjoy singing it.

Song of the Skylark” (Johannes Brahms)

One of the great genres of vocal music is the German Art Song, and I have surveyed virtually all the songs of Schubert, Brahms, Schumann and Mendelssohn in search of material suitable for our choir.  Some which we sing were already familiar to me, but some were not, and may not be to our audiences.  One of these, “Song of the Skylark,” (Lerchengesang), is particularly beautiful in its wistfulness.  The 3 against 4 beat rhythm (choir vs. piano) ads to the song’s poignancy.

Impromptu #2 in E-flat Opus 90  (Franz Schubert)

We are proud to feature brilliant young pianist and choir member, Caleb Spjute performing this extremely virtuosic work.  You may want his autograph after you hear him play (others have).

Blagoslavi dushe moya Ghospoda” (Pavel Chesnokov)

This work (translation: Bless the Lord, my soul), with its rich harmonies and extreme dynamic changes is a fine example of late 19th and early 20th Century Russian liturgical music.

How Excellent Thy Name”  (Howard Hanson)

I first heard this piece sung by a college choir and have liked it ever since.  It’s composer, Howard Hanson was the first director of the Eastman School of Music (where he remained for 40 years) and was one of the pre-eminent American composers of the 20th Century.  The work, whose text is taken from the Psalms, is very evocative and beautiful and I appreciate the remarkable insight our singers bring to it.

Spring Concerts! May 2 & 3, 2014

Children singing with twilight visible through the windows behind them.

Salt Lake Children’s Choir performing in the Excellence in the Community Concert Series, Spring 2014. Photo by Lex Anderson

From Vienna —  to the Andes —  to “The Sunny Side of the Street”, a concert by the award winning Salt Lake Children’s Choir, will be presented  Friday and Saturday, May 2 and 3, at 7:30 PM in Salt  Lake City’s beautiful St. Ambrose Church (1975 South 2300 East). Spanning four centuries and four continents, the program will include musical treasures, both familiar and little known, from the British Isles, Eastern and Western Europe, Africa, South America and the USA — including the much-loved “On Wings of Song” and “Vienna, My City of Dreams” — as well as the lively “Follow Me Down to Carlow” from Ireland and the wistful Bolivian “Kaya Kaymanta Ripusaj”–sung in native Quechua, the language of the Incas.  Jazz pianist extraordinaire Steve Keen will join the choir on Woodward’s rhythmic “Canto” and the American favorite, “On the Sunny Side of the Street.  The evening will conclude with the choir’s own “Evening Prayer” and. “A Day in Spring.”

All seats are $9:00 ($6.00 students) and tickets are available at Day Murray Music or at the door.   Online tickets can be purchased here and will be held at will call on the nights of the concerts.   Admission is open to those ages 6 and older.

Please note:  The choir is now scheduling auditions for new members, and there will be a sign-up sheet for an audition time at the concert for those who attend.